You know the phrase “You should never judge a JRPG by its authentic adaptation of a cherished animation studio’s art style?” Well, that happens to apply to Level-5 and Studio Ghibli’s Ni No Kuni: Wrath of the White Witch, in a good way. It’s like a computer made entirely out of triple chocolate; the sweet Ghibli coating is as inviting as it is generous, but it distracts from the magnitude of something that works when it probably shouldn’t.

Ni No Kuni‘s combat, its all-important core, is an ambitious fusion of elements from many different walks of Japanese role-playing games, and in particular Pokémon. On paper it’s a muddle of methods, but on screen it is the game’s enduring component, and frankly a bit of a triumph. It is also what best exemplifies Ni No Kuni: a marriage of styles with a very happy ending.  Continue reading →

Years of hype, several delays, a self-destructively outspoken developer, framerate stutters, game-breaking crashes, and now post-patch blues. While I don’t agree, I can certainly understand why some have little time for Fez even before getting into the game underneath all the mess. That’s a shame, because the game is an absolute peach.

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Dragon’s Dogma
There are so many things wrong with Dragon’s Dogma, as noted in Joystiq’s scathing review. For starters, its unwillingness to offer guidance makes the Souls games look helpful, its dialogue repetition is nothing short of maddening – yes I freaking know wolves hunt in packs – and no game has ever made fast travel more of a chore. But when it’s good, oh how good it is. Combining in harmony with my troupe of automated pawns to take down giant foes in simplistic yet epic, challenging combat is just too delectable to exclude Dragon’s Dogma from mention, flaws or no.

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The visual quality of Ni No Kuni: Wrath of the White Witch is so impressive, the upcoming PlayStation 3 role-playing game often resembles an interactive Studio Ghibli movie. No matter your angle, Ni No Kuni is bright, beguiling, and beautiful – even in the face of disparities between its animated cutscenes and in-game action.

Given the storytelling pedigree of co-developers Studio Ghibli and Level-5 – and the latter’s prowess in the role-playing game genre – my hope was Ni No Kuni can be as enchanting as Spirited Away, yet underlined by the kind of design that makes Dark Cloud 2 so deep.

Based on my brief experience with the final build, there’s legitimate cause for optimism; however, concerns remain. There are, at the very least, the seeds of curiosity in Ni No Kuni.

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Baldur’s Gate: Enhanced Edition isn’t the first Overhaul Games re-release to grace this column. That accolade belongs to MDK2 HD. As the name suggests, the 2000 BioWare game underwent a visual facelift in the care of the appropriately named Overhaul.

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